COD 2019 - CP005b
Cultural Programme - Reading and Media Breakfast: Call Me by Your Name: Coming of age, (homo)sexual awakening/repression and identity in novel, screen adaptation and other films
Literature and film lovers
1
sesiones, inicia: 14-Sep
El curso elegido no admite nuevas inscripciones
Ficha del curso
Ciclo: 2019
Nivel: Programa Cultural
Idioma: Inglés
Estado: Terminado
Lugar: ESSARP - Deheza 3139, CABA
Capacitador/es: Mr. Carlos Reynoso
Colegios Afiliados
ARS
ARS
Centros de Examen
ARS
ARS
No afiliados
ARS 800.00
ARS 800.00
Sesiones
Sesiones | Fechas | Inicia | Termina |
---|---|---|---|
1 | 14 Septiembre 2019 | 09:00 am | 12:00 pm |
Capacitador/es
Carlos Reynoso
Literature and film lovers
• To discuss the way same-sex attraction and love are dealt with in the novel and the film.
• To speculate about how different the effects of the story would have been if the protagonists had been a heterosexual couple.
• To compare and contrast the theme of homosexual relationships and its treatment in literature and film in different settings and times, bearing in mind the contexts of production and reception.
• To speculate about how different the effects of the story would have been if the protagonists had been a heterosexual couple.
• To compare and contrast the theme of homosexual relationships and its treatment in literature and film in different settings and times, bearing in mind the contexts of production and reception.
• Call Me by Your Name: a novel by André Aciman (2007)
• Call Me by Your Name: a film directed by Luca Guadagnino (2017)
• Other intertextually related works
• Call Me by Your Name: a film directed by Luca Guadagnino (2017)
• Other intertextually related works
Group discussion of selected excerpts from the novel and scenes from the film* in intertextual dialogue with other works.
* Reading the novel prior to the session is advised, though not compulsory. Watching the film is also encouraged. There will be a copy of the film on DVD available in the library.
* Reading the novel prior to the session is advised, though not compulsory. Watching the film is also encouraged. There will be a copy of the film on DVD available in the library.
Barker, M. & Scheele, J. (2016). Queer: A Graphic History. London: Icon Books Ltd.
Brody, R. (2017). The Empty, sanitized intimacy of Call Me by Your Name. [Online]. In The New Yorker, November 28, 2017 issue. Available from
https://www.newyorker.com/culture/richard-brody/the-empty-sanitized-intimacy-of-call-me-by-your-name [Accessed March 15, 2019].
Canfield, D. (2017). Why Call Me by Your Name is a brilliant, essential adaptation. [Online]. In Entertainment Weekly, November 29, 2017 issue. Available from
https://ew.com/books/2017/11/29/call-me-by-your-name-movie-book-comparison/ [Accessed March 15, 2019].
D’Erasmo, S. (2007). Suddenly one summer. [Online]. In The New York Times, Sunday Book Review, February 25, 2007 issue. Available from
https://www.nytimes.com/2007/02/25/books/review/DErasmo.t.html [Accessed March 15, 2019].
Gilliver, L. (2018). Here’s why all your criticisms of Call Me by Your Name are wrong. [Online]. In Gay Times, January 16, 2018 issue. Available from
https://www.gaytimes.co.uk/culture/96851/heres-why-your-criticisms-call-me-by-your-name-wrong/ [Accessed March 15, 2019].
Hall, D. & Jagose, A. (eds). (2013). The Routledge Queer Studies Reader. Abingdon & New York: Routledge.
Jenkins, C. & Cart, M. (2018). Representing the Rainbow in Young Adult Literature: LGBTQ+ Content since 1969. New York & London: Rowman & Littlefield.
Khosla, P. (2018). Call Me by Your Name works better if you read the book AFTER the movie. [Online]. In Mashable, Entertainment, January 7, 2018 issue. Available from
https://mashable.com/2018/01/07/call-me-by-your-name-book-movie/#uAn4u_czGOq3
[Accessed March 15, 2019].
Schoonover, K. & Galt, R. (2016). Queer Cinema in the World. Durham & London: Duke University Press.
Wilchins, R. (2014). Queer Theory, Gender Theory: An Instant Primer. New York: Magnus Books.
Brody, R. (2017). The Empty, sanitized intimacy of Call Me by Your Name. [Online]. In The New Yorker, November 28, 2017 issue. Available from
https://www.newyorker.com/culture/richard-brody/the-empty-sanitized-intimacy-of-call-me-by-your-name [Accessed March 15, 2019].
Canfield, D. (2017). Why Call Me by Your Name is a brilliant, essential adaptation. [Online]. In Entertainment Weekly, November 29, 2017 issue. Available from
https://ew.com/books/2017/11/29/call-me-by-your-name-movie-book-comparison/ [Accessed March 15, 2019].
D’Erasmo, S. (2007). Suddenly one summer. [Online]. In The New York Times, Sunday Book Review, February 25, 2007 issue. Available from
https://www.nytimes.com/2007/02/25/books/review/DErasmo.t.html [Accessed March 15, 2019].
Gilliver, L. (2018). Here’s why all your criticisms of Call Me by Your Name are wrong. [Online]. In Gay Times, January 16, 2018 issue. Available from
https://www.gaytimes.co.uk/culture/96851/heres-why-your-criticisms-call-me-by-your-name-wrong/ [Accessed March 15, 2019].
Hall, D. & Jagose, A. (eds). (2013). The Routledge Queer Studies Reader. Abingdon & New York: Routledge.
Jenkins, C. & Cart, M. (2018). Representing the Rainbow in Young Adult Literature: LGBTQ+ Content since 1969. New York & London: Rowman & Littlefield.
Khosla, P. (2018). Call Me by Your Name works better if you read the book AFTER the movie. [Online]. In Mashable, Entertainment, January 7, 2018 issue. Available from
https://mashable.com/2018/01/07/call-me-by-your-name-book-movie/#uAn4u_czGOq3
[Accessed March 15, 2019].
Schoonover, K. & Galt, R. (2016). Queer Cinema in the World. Durham & London: Duke University Press.
Wilchins, R. (2014). Queer Theory, Gender Theory: An Instant Primer. New York: Magnus Books.