COD 2008 - PS36
We All Need a Superhero
Students at TTC and Language and Literature teachers.
2
sessions, start: 27-Sep
The course chosen does not allow any new enrolment
Course detail
Year: 2008
Level: Primary / Secondary
Language: English
Status: Ended
Lugar: ESSARP - Deheza 3139, CABA
Facilitator/s: Ms. Mónica Beatriz Cuello
ESSARP Schools
ARS
ARS
Exams Schools
ARS
ARS
Non affiliate
ARS 80.00
ARS 80.00
Sessions
Sessions | Dates | Start | Finish |
---|---|---|---|
1 | 27 September 2008 | 09:00 am | 12:00 pm |
2 | 11 October 2008 | 09:00 am | 12:00 pm |
Facilitator/s
Mónica Beatriz Cuello
Students at TTC and Language and Literature teachers.
- Exploring Science Fiction as a cinematic genre.
- Discussing the textual features of the films: V for Vendetta, Batman Begins and Hulk.
- Discussing the figure of the hero.
- Discovering intertextual references with other types of texts.
- Discussing the textual features of the films: V for Vendetta, Batman Begins and Hulk.
- Discussing the figure of the hero.
- Discovering intertextual references with other types of texts.
This workshop explores the textual characteristics of popular Science-fiction films, namely V for Vendetta, Batman Begins and Hulk, which a teenage audience finds very appealing. Knowing about these texts, teachers could profit from the students’ command of the subject and encourage them to establish intertextual relations with different literary texts or historical facts that the teacher needs to present within the classroom context.
Session 1:
- Science Fiction as a cinematic genre.
- Origins.
- Textual characteristics. Generic conventions.
- V for Vendetta: analysis of the film in the light of the previous discussion.
- Suggestions for classwork.
Session 2:
- Batman Begins and Hulk.
- Analysis of the film in the light of the previous session.
- Suggestions for classwork.
Session 1:
- Science Fiction as a cinematic genre.
- Origins.
- Textual characteristics. Generic conventions.
- V for Vendetta: analysis of the film in the light of the previous discussion.
- Suggestions for classwork.
Session 2:
- Batman Begins and Hulk.
- Analysis of the film in the light of the previous session.
- Suggestions for classwork.
The coordinator will briefly present the theoretical background, eliciting information from the participants. Then she´ll move on to cinematic texts, identifying the characteristics presented before and showing the possibilities they offer for teaching purposes.
Handouts will be provided.
Handouts will be provided.
- Ashcroft, Griffiths and Tiffin (2003) The Empire Writes Back. Second Edition. London: Routledge.
- Dick , B. (1998) Anatomy of Film. St.Martin's Press, Inc.
- Lyotard, J. F. (1987) La Condición Postmoderna. Buenos Aires: REI Argentina.
- MacFarlane, R. (1996) Novel to Film: an Introduction to Adaptation Theory. Oxford University Press.
- Monaco, J. (2000) How to Read a film. Oxford University Press.
- Moreno, H. (2003) Cyberpunk, más allá de Matrix. Barcelona: Circulo Latino.
- Nelmes, J. (ed.) An Introduction to Film Studies. London: Routledge.
- Neale and Murray Smith (eds.) (1998). Contemporary Hollywood Cinema. New York and London: Routledge.
- Phillips, P. (2000) Understanding Film Texts. Meaning and Experience. British Film Institute.
- Pope, R. (2002) The English Studies Book, Second Edition, London and New York: Routledge.
- Dick , B. (1998) Anatomy of Film. St.Martin's Press, Inc.
- Lyotard, J. F. (1987) La Condición Postmoderna. Buenos Aires: REI Argentina.
- MacFarlane, R. (1996) Novel to Film: an Introduction to Adaptation Theory. Oxford University Press.
- Monaco, J. (2000) How to Read a film. Oxford University Press.
- Moreno, H. (2003) Cyberpunk, más allá de Matrix. Barcelona: Circulo Latino.
- Nelmes, J. (ed.) An Introduction to Film Studies. London: Routledge.
- Neale and Murray Smith (eds.) (1998). Contemporary Hollywood Cinema. New York and London: Routledge.
- Phillips, P. (2000) Understanding Film Texts. Meaning and Experience. British Film Institute.
- Pope, R. (2002) The English Studies Book, Second Edition, London and New York: Routledge.