COD 2013 - G683
Cultural Programme - Reading Breakfasts: "Reading Silences"
All lovers of reading Literature.
1
sessions, start: 01-Jun
The course chosen does not allow any new enrolment
Course detail
Year: 2013
Level: General
Language: English
Status: Ended
Lugar: ESSARP - Deheza 3139, CABA
Facilitator/s: Mr. Daniel Ferreyra Fernández
ESSARP Schools
ARS
ARS
Exams Schools
ARS
ARS
Non affiliate
ARS 125.00
ARS 125.00
Sessions
Sessions | Dates | Start | Finish |
---|---|---|---|
1 | 01 June 2013 | 10:00 am | 12:30 pm |
Facilitator/s
Daniel Ferreyra Fernández
All lovers of reading Literature.
-To share the joys of reading contemporary fiction through the works of some of its most representative writers.
-To discuss and exchange ideas on the short stories.
-To build strategies that will enable the participants to take an active role in the creation of the meaning of texts in which typically silences prevail.
-To discuss and exchange ideas on the short stories.
-To build strategies that will enable the participants to take an active role in the creation of the meaning of texts in which typically silences prevail.
In Six Walks in the Fictional Woods (1994), Umberto Eco argues that texts are lazy machines that need the reader to do some of their work. His contention is that if texts were to say everything the reader is to understand, they would never end. Many contemporary writers base their works on the premise that what is suggested is much more relevant than what is overtly stated. This compels the reader of contemporary fiction to explore the spaces between the words, the silences in the texts, rather than simply read the words themselves. Writers like Ernest Hemingway, Raymond Carver, Kazuo Ishiguro, among others, cultivate this suggestiveness and invite the reader to unearth those texts that lie below the surface story.
-Presentation of an integrated approach to the texts.
-Guided group reflection and exchange of ideas on the texts.
-Reading of key sections of the short stories to raise awareness of the underlying stories encoded within the text and the techniques employed by the writers.
-Guided group reflection and exchange of ideas on the texts.
-Reading of key sections of the short stories to raise awareness of the underlying stories encoded within the text and the techniques employed by the writers.
• Coetzee, John Maxwell. “Make Him Sing”, from “Granta” (1997), London: Sigrid Rausing.
• Hemingway, Ernest. “A Clean, Well Lighted Place”, from Winner Take Nothing (1933), New York: Scribner’s.
• Ishiguro, Kazuo. “A Family Supper”, from Twentieth Century Fiction (1982), London: Penguin.
• Paley, Grace. “Mother”, from Sudden Fiction: American short-short stories (1986), Gibbs Smith: Utah.
• Hemingway, Ernest. “A Clean, Well Lighted Place”, from Winner Take Nothing (1933), New York: Scribner’s.
• Ishiguro, Kazuo. “A Family Supper”, from Twentieth Century Fiction (1982), London: Penguin.
• Paley, Grace. “Mother”, from Sudden Fiction: American short-short stories (1986), Gibbs Smith: Utah.