COD 2012 - G650
Cultural Programme - Reading Breakfasts: Reading Minimalist Fiction
All lovers of literature reading.
1
sessions, start: 08-Sep
The course chosen does not allow any new enrolment
Course detail
Year: 2012
Level: General
Language: English
Status: Ended
Lugar: ESSARP - Deheza 3139, CABA
Facilitator/s: Mr. Daniel Ferreyra Fernández
ESSARP Schools
ARS
ARS
Exams Schools
ARS
ARS
Non affiliate
ARS 100.00
ARS 100.00
Sessions
Sessions | Dates | Start | Finish |
---|---|---|---|
1 | 08 September 2012 | 10:00 am | 12:30 pm |
Facilitator/s
Daniel Ferreyra Fernández
All lovers of literature reading.
- To share the joys of reading Minimalist Fiction through the works of some of its most representative writers.
- To discuss and exchange ideas on the short stories.
- To build strategies that will enable the participants to take an active role in the creation of the meaning of minimalist texts, in which typically "the unsaid" prevails.
- To discuss and exchange ideas on the short stories.
- To build strategies that will enable the participants to take an active role in the creation of the meaning of minimalist texts, in which typically "the unsaid" prevails.
In "The text says what it does not say", Pierre Macherey claims that "silence (in a book) may be the source of expression". This idea is key to our understanding of Minimalism as a literary style. Minimalism can be traced back to the 1960s and 1970s in the works of writers like Ernest Hemingway, Raymond Carver, Anne Beattie, and Charles Bukowsky among others. It is characterized by an economy with words and a focus on surface description: the reader is thus compelled to read the silences between the words and to unearth a second, ciphered story that lies beneath an apparently uneventful surface story.
- Presentation of an integrated approach to the texts and to Minimalist Fiction.
- Guided group reflection and exchange of ideas on the texts.
- Reading of key sections of the short stories to raise awareness of the underlying stories encoded within the text and the techniques employed by the writers.
- Guided group reflection and exchange of ideas on the texts.
- Reading of key sections of the short stories to raise awareness of the underlying stories encoded within the text and the techniques employed by the writers.
- Barnes, Julian. "Marriage Lines" from Pulse (2011), London: Jonathan Cape.
- Carver, Raymond. "Cathedral" from Cathedral (1983), New York: Knopf.
- Cheever, John. "Reunion" from Sudden Fiction: American short-short stories (1986), Gibbs Smith: Utah.
- Hemingway, Ernest. "Cat in the Rain" from In Our Time (1925), Boni and Liveright: New York.
- Carver, Raymond. "Cathedral" from Cathedral (1983), New York: Knopf.
- Cheever, John. "Reunion" from Sudden Fiction: American short-short stories (1986), Gibbs Smith: Utah.
- Hemingway, Ernest. "Cat in the Rain" from In Our Time (1925), Boni and Liveright: New York.