COD 2011 - G619
Female adolescents in love in Shakespeare’s plays (Cressida, Juliet and Ophelia)
Literature lovers.
1
sessions, start: 06-Sep
The course chosen does not allow any new enrolment
Course detail
Year: 2011
Level: General
Language: English
Status: Ended
Lugar: ESSARP - Deheza 3139, CABA
Facilitator/s: Ms. Verónica Storni Fricke
ESSARP Schools
ARS
ARS
Exams Schools
ARS
ARS
Non affiliate
ARS 80.00
ARS 80.00
Sessions
| Sessions | Dates | Start | Finish |
|---|---|---|---|
| 1 | 06 September 2011 | 05:30 pm | 08:30 pm |
Facilitator/s
Verónica Storni Fricke
Literature lovers.
- To encourage personal response to Shakespeare's texts from a feminist perspective
- To reflect on the meaning of love as a historical and cultural notion as seen in the plays.
- To acquaint candidates with different approaches within feminism
- To find "faultlines" in the texts, which may help us read the plays in a more enjoyable way.
- To reflect on the meaning of love as a historical and cultural notion as seen in the plays.
- To acquaint candidates with different approaches within feminism
- To find "faultlines" in the texts, which may help us read the plays in a more enjoyable way.
- Self, desire and becoming a woman.
- Gender violence and women as victims of the patriarchal discourse.
- Self-representation through myth.
- Reading against the grain to fit the feminist project.
- Essentialist and postmodern feminist readings.
- Gender violence and women as victims of the patriarchal discourse.
- Self-representation through myth.
- Reading against the grain to fit the feminist project.
- Essentialist and postmodern feminist readings.
- Textual analysis.
- Group discussion.
(Candidates are expected to have read Troilus and Cressida, Romeo and Juliet and Hamlet)
- Group discussion.
(Candidates are expected to have read Troilus and Cressida, Romeo and Juliet and Hamlet)
- Belsey, C. (1985) The Subject of Tragedy. Identity and Difference in Renaissance Drama. London and New York: Routledge.
- Bloom, H. (1999) Shakespeare: the Invention of the Human. London. Fourth Estate.
- Braidotti, R. (1994) Nomadic Subjects. New York: Columbia University Press.
- Braidotti, R. (2000), "Hacia una nueva representación del sujeto" y "La diferencia sexual como proyecto político nómade", en Sujetos nómades, Buenos Aires: Paidós.
- Braidotti, R. (2002) Metamorphoses. Towards a Materialist Theory of Becoming. USA and UK: Polity Press.
- Callaghan, D. (ed.) (2000) A Feminist Companion to Shakespeare, Massachusetts: Blackwell.
- Callaghan, D., Helms, L. y Singh, J. (eds). (1994) The Weyward Sisters: Shakespeare and Feminist Politics, Cambridge, Massachusetts: Blackwell.
- Coppélia Kahn (1981) Man's Estate. Masculine Identity in Shakespeare. Berkeley and Los Angeles: University of California Press (available online in google books).
- Coppélia Kahn, (1997) Roman Shakespeare. Warriors, Wounds and Women. Routledge: London.
- Dash, I. (1981) Wooing, Wedding and Power: Women in Shakespeare's Plays. New York: Columbia University Press.
- Dusinberre, J. (1996) Shakespeare and the Nature of Women. Macmillan: London.
- Jardine, L. (1989) Still Harping on Daughters. Women and Drama in the Age of Shakespeare, New York: Columbia University Press.
- Jardine, L. (1996) Reading Shakespeare Historically. Routledge: London.
- Kott, J. (1967) Shakespeare Our Contemporary. Methuen: London.
- Kott, J. (1967) Shakespeare Our Contemporary. Methuen: London.
- Lacqueur, T. (1990) Making Sex. Body and Gender from the Greeks to Freud. Harvard University Press: London.
- Molloy, S (2006) "Identidades textuales femeninas: estrategias de autofiguración", Mora N. 12, diciembre, Buenos Aires: IIEGE/FFyL-UBA.
- Paster, Gail Kern (1993) The Body Embarrassed. Drama and the Disciples of Shame in Early Modern England. Cornell University Press: New York.
- Rutter, C. (2001) Enter the Body. Women and Representation on Shakespeare's Stage. Routledge: London.
- Showalter, E. (1985) "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism", in Shakespeare and the Question of Theory, eds. Patricia Parker and Geofrey Hartman, New York and London(available online in google books).
- Sinfield, A. (2006) Shakespeare, Authority, Sexuality. Unfinished Business in Cultural Materialism. Routledge: New York
- Traub, V. (1992) Desire and Anxiety. Circulations of Sexuality in Shakesperean Drama. Routledge: London.
- Bloom, H. (1999) Shakespeare: the Invention of the Human. London. Fourth Estate.
- Braidotti, R. (1994) Nomadic Subjects. New York: Columbia University Press.
- Braidotti, R. (2000), "Hacia una nueva representación del sujeto" y "La diferencia sexual como proyecto político nómade", en Sujetos nómades, Buenos Aires: Paidós.
- Braidotti, R. (2002) Metamorphoses. Towards a Materialist Theory of Becoming. USA and UK: Polity Press.
- Callaghan, D. (ed.) (2000) A Feminist Companion to Shakespeare, Massachusetts: Blackwell.
- Callaghan, D., Helms, L. y Singh, J. (eds). (1994) The Weyward Sisters: Shakespeare and Feminist Politics, Cambridge, Massachusetts: Blackwell.
- Coppélia Kahn (1981) Man's Estate. Masculine Identity in Shakespeare. Berkeley and Los Angeles: University of California Press (available online in google books).
- Coppélia Kahn, (1997) Roman Shakespeare. Warriors, Wounds and Women. Routledge: London.
- Dash, I. (1981) Wooing, Wedding and Power: Women in Shakespeare's Plays. New York: Columbia University Press.
- Dusinberre, J. (1996) Shakespeare and the Nature of Women. Macmillan: London.
- Jardine, L. (1989) Still Harping on Daughters. Women and Drama in the Age of Shakespeare, New York: Columbia University Press.
- Jardine, L. (1996) Reading Shakespeare Historically. Routledge: London.
- Kott, J. (1967) Shakespeare Our Contemporary. Methuen: London.
- Kott, J. (1967) Shakespeare Our Contemporary. Methuen: London.
- Lacqueur, T. (1990) Making Sex. Body and Gender from the Greeks to Freud. Harvard University Press: London.
- Molloy, S (2006) "Identidades textuales femeninas: estrategias de autofiguración", Mora N. 12, diciembre, Buenos Aires: IIEGE/FFyL-UBA.
- Paster, Gail Kern (1993) The Body Embarrassed. Drama and the Disciples of Shame in Early Modern England. Cornell University Press: New York.
- Rutter, C. (2001) Enter the Body. Women and Representation on Shakespeare's Stage. Routledge: London.
- Showalter, E. (1985) "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism", in Shakespeare and the Question of Theory, eds. Patricia Parker and Geofrey Hartman, New York and London(available online in google books).
- Sinfield, A. (2006) Shakespeare, Authority, Sexuality. Unfinished Business in Cultural Materialism. Routledge: New York
- Traub, V. (1992) Desire and Anxiety. Circulations of Sexuality in Shakesperean Drama. Routledge: London.