COD 2025 - D1187
Webinar - Flannery O’Connor and the Southern Gothic Imagination
Literature lovers
1
sessions, start: 11-Oct
Please enrol before Wednesday, October 8th 2025
Course detail
Year: 2025
Level: Culture Programme
Language: English
Status: Announced
Lugar: Distance
Facilitator/s: Mag. Griselda Beacon MA
ESSARP Schools
Free of charge
Free of charge
Exams Schools
ARS 35000.00
ARS 35000.00
Non affiliate
ARS 35000.00
ARS 35000.00
Sessions
Sessions | Dates | Start | Finish |
---|---|---|---|
1 | 11 October 2025 | 10:00 am | 11:30 am |
Facilitator/s
Griselda Beacon
Literature lovers
In this online reading breakfast session, we intend:
▪ To continue creating a reading community of lovers of literature.
▪ To continue developing reading strategies to tackle the ambiguous nature of literary texts.
▪ To learn about and explore the grotesque in Flannery O’Connor’s Southern Gothic Imagination.
▪ To continue creating a reading community of lovers of literature.
▪ To continue developing reading strategies to tackle the ambiguous nature of literary texts.
▪ To learn about and explore the grotesque in Flannery O’Connor’s Southern Gothic Imagination.
In this session, we will introduce Flannery O’Connor’s work, focusing on her portrayal of freaks and the grotesque in the American South. We will discuss how her Catholicism, personal circumstances, and the social tensions of the agrarian South influence her narrative. Her fiction is marked by the grotesque, the freakish, and the violent—key elements of her vision of the American South.
In this workshop, we will read three short stories, “Good Country People”, “A Good Man is Hard to Find” and “A Temple of the Holy Ghost”, to explore her central themes, and reflect on how her unsettling characters and narratives challenge conventional ideas of normalcy, morality, and grace. As always, we provide a selection of her short stories in advance for prior reading.
In this workshop, we will read three short stories, “Good Country People”, “A Good Man is Hard to Find” and “A Temple of the Holy Ghost”, to explore her central themes, and reflect on how her unsettling characters and narratives challenge conventional ideas of normalcy, morality, and grace. As always, we provide a selection of her short stories in advance for prior reading.
Online Reading Breakfast session. Dialogical and interactive approach in which participants will discuss the texts and the topics introduced as well as analyse the different ways in which artists express their concerns.
Fitzgerald, S. (1981-1982). “Assumption and Experience: Flannery O'Connor's ‘A Temple of The Holy Ghost’”. CrossCurrents, winter, Vol. 31, N° 4, pp. 423-432. Retrieved from: https://www.jstor.org/stable/24458473
Kirk, C. A. (2008). Critical Companion to Flannery O’Connor. Infobase Publishing.
O’Connor, F. (1970). Mystery and Manners: Occasional Prose. Ed. S. Fitzgerald & R. Fitzgerald. Farrar, Straus & Giroux.
- The Complete Stories. (1971). Farrar, Straus & Giroux.
Renner, S. (1982). “Secular Meaning in ‘A Good Man Is Hard to Find’”. College Literature, Spring, Vol. 9, N° 2, pp. 123-132. Retrieved from: https://www.jstor.org/stable/25111435
Rohman, Ch. (2014). “Awful Mystery: Flannery O’Connor as Gothic Artist”. In Crow, Ch. (ed.), A Companion to the American Gothic. John Wiley and Sons Ltd., pp. 279-290.
Whitt, M. E. (1997). Understanding Flannery O’Connor. University of South Carolina Press.
Kirk, C. A. (2008). Critical Companion to Flannery O’Connor. Infobase Publishing.
O’Connor, F. (1970). Mystery and Manners: Occasional Prose. Ed. S. Fitzgerald & R. Fitzgerald. Farrar, Straus & Giroux.
- The Complete Stories. (1971). Farrar, Straus & Giroux.
Renner, S. (1982). “Secular Meaning in ‘A Good Man Is Hard to Find’”. College Literature, Spring, Vol. 9, N° 2, pp. 123-132. Retrieved from: https://www.jstor.org/stable/25111435
Rohman, Ch. (2014). “Awful Mystery: Flannery O’Connor as Gothic Artist”. In Crow, Ch. (ed.), A Companion to the American Gothic. John Wiley and Sons Ltd., pp. 279-290.
Whitt, M. E. (1997). Understanding Flannery O’Connor. University of South Carolina Press.